In stock at
In stock at
50 day returns
Free shipping &
1 day despatch
The Monitor 100s are handsome speakers designed to be placed on a bookshelf or mounted on a stand. With their black bass driver cones and C-CAM tweeters, they delight both the eyes and the ears.
The Monitor 100s are beautifully proportioned speakers featuring a 6 1/2" MMP II bass driver complemented by a 25mm black C-CAM tweeter. With a larger bass driver and bigger cabinet, the 100s deliver a more expansive and punchy sound.
Two sets of binding post terminals on each speaker allow for bi-wiring or a bi-amp set up. To maintain their compact proportions, and to allow positioning in the most confined locations, the speakers are rear ported. The Monitor 100s truly deliver the classic Monitor Audio sound.
- Classic Monitor Audio speaker design with a playful twist
- MMP II (Metal Matrix Polymer) driver cones
- High overall impedance (8 ohms) means they are easy to drive with lower power amplifiers
- Black C-CAM (Ceramic-Coated Aluminium Magnesium) dome tweeter are derived from Monitor Audio’s award-winning Bronze series
- HiVe II (High Velocity, Low Noise Reflex Port) technology offer an improved transient response and tighter bass, due to smoother airflow
System Format: 2 Way
Frequency Response: 44 Hz – 30 kHz
Sensitivity (1W@1M): 88 dB
Nominal Impedance: 8 ohms
Maximum SPL: 111 dBA
Power Handling (RMS): 100 W
Recommended Amplifier Requirements: 30 – 100 W
Cabinet Design: Rear ported bass reflex with HiVe II port technology
Drive Unit Complement: 1 x 61/2" MMP II bass mid-range, 1 x 25 mm black C-CAM tweeter
Crossover Frequency: 3.3 kHz
External Dimensions (Including Grille (H x W x D)): 310 x 201 x 298.3 mm (123/16 x 715/16 x 113/4")
Weight: 5.12 kg (11 lb 4 oz)
Sold As: Pair
In the box
One pair of speakers
One pair of speaker grilles
More from Instant Classic
Why buy from Instant Classic?
Instant Classic is an online record and music system store from Melbourne, Australia.
We offer great upfront deals as well as Australia's first hifi subscription service. Our returns are no-fuss and we're all about treating our customers how we'd like to be treated.
We're available by email, phone, livechat, WhatsApp - whatever your flavour is. We're online during business hours of course, but we aim to get back to you pretty fast at any waking hour. Usually you'll hear back from us very quickly.
If you don't like your purchase for whatever reason within the first 50 days, we'll take it back! None of this 'product must be in brand new condition' nonsense - we want you to be happy. Just make sure it isn't damaged.
Is analogue better?
Vinyl is a cost-effective way to get into proper audio. Some experts argue it it gives a better experience than digital, with a lack of compression and a naturalness that’s hard to replicate.
Digital relies on a computerised interpretation of sound-waves. Turntables and records, however, maintain analogue integrity by translating these sound-waves into physical grooves and vibrations rather than 0s and 1s.
I liken turntables to coffee. They can be terrible or wonderful.
Rightly done, they'll produce a brilliant sound and last you a long time. But the bad ones sound gross and can damage your records.
It's all about materials and construction. A turntable is a mechanical instrument that needs to measure record grooves in a delicate way.
What to *avoid* in a turntable
This product page will run through what makes the Primary E such an ace deck for the money. But what shouldn't be inside a turntable is just as important as what is. Here's a summary of the things to avoid, and we've got more detail here.
Inbuilt speakers. This is baaaaad. They're small and tinny, so you'll be strangling whatever signal does come out of the record. But also the vibrations being inside the chassis create a feedback loop which goes back into your records.
A tonearm that's too short or made out of the wrong materials - this will interfere with the accuracy of what's embedded in the record. Small platters are bad too - they'll eventually warp your records due to the edge overhang.
Stylus and cartridge that put the wrong pressure on your records or are made out of bad materials. These will distort your sound and potentially damage your vinyl.
Cheaper motors that don't spin precisely in time. You'll hear higher or lower pitch in your music.