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The muscular Monitor MRW-10 powered subwoofer delivers a thunderous bass down to below 30 Hz and offers a totally immersive movie, music, or gaming experience.
The Monitor MRW-10’s rigid cabinet is made from 18 mm thick MDF and accommodates a 10" long-throw MMP II bass driver and a rear port that allows optimal output from the powerful on-board 100 W class D power amplifier.
The Monitor MRW-10 boasts an array of features dedicated to optimising a home theatre system. There are three pre-set EQ mode settings (Music, Movie, Impact) to offer a level of adjustment for all rooms and tastes, and the controls use an advanced DSP based architecture to provide the ultimate in audio flexibility.
- 10" MMP II long throw subwoofer driver
- Rigid MDF cabinet with rear porting
- Powerful 100 W Class D power amplifier – high efficiency and punchy bass delivery
- Switch mode power supply, designed to deliver high continuous rating and provides the instantaneous delivery of high current when required
- DSP processing with all control features and crossover performed in the digital domain
- Three pre-set EQ mode settings. Music / Movie / Impact
12 V trigger – provides switching control from AV amp, processor, or home automation control system
- 18 mm thick MDF construction
System Format: Rear ported bass reflex cabinet
Lower Frequency Limit: 30 Hz (-6 dB)
Upper Frequency Limit: Variable 50 – 120 Hz @ 24 dB/Octave
Amplifier Output: 100 W RMS
Amplifier Classification: Class D with Switch mode PSU
Bass EQ Profiles: Music / Movie / Impact
Phase Control: 0 – 180°
Auto Sensing: >3.5 mV
Input Level Requirements: Standby after approximately 15 minutes if no signal sensed
Drive Unit Complement: 1 x 10" MMP II long throw driver
Input Impedance: >20 K ohms
Mains Input Voltage: 110 – 120 Vac – 50 – 60 Hz, 220 – 240 Vac – 50 – 60 Hz. Selectable
Fuse Specification: 110 – 120 VAC – T4AL/250VAC, 220 – 240 VAC – T4AL/250VAC
Connection: 2 x Stereo RCA, 1 x LFE RCA connection, 12 V trigger (3.5 mm mono mini-jack)
External Dimensions (Including Grille and Feet (H x W x D)): 336 x 320 x 350.6 mm (131/4 x 125/8 x 1313/16")
Standby Power Consumption: <0.5 W standby
Weight: 10.54 kg (23 lb 4 oz)
Sold As: Single Unit
In the box
One set of feet
More from Instant Classic
Why buy from Instant Classic?
Instant Classic is an online record and music system store from Melbourne, Australia.
We offer great upfront deals as well as Australia's first hifi subscription service. Our returns are no-fuss and we're all about treating our customers how we'd like to be treated.
We're available by email, phone, livechat, WhatsApp - whatever your flavour is. We're online during business hours of course, but we aim to get back to you pretty fast at any waking hour. Usually you'll hear back from us very quickly.
If you don't like your purchase for whatever reason within the first 50 days, we'll take it back! None of this 'product must be in brand new condition' nonsense - we want you to be happy. Just make sure it isn't damaged.
Is analogue better?
Vinyl is a cost-effective way to get into proper audio. Some experts argue it it gives a better experience than digital, with a lack of compression and a naturalness that’s hard to replicate.
Digital relies on a computerised interpretation of sound-waves. Turntables and records, however, maintain analogue integrity by translating these sound-waves into physical grooves and vibrations rather than 0s and 1s.
I liken turntables to coffee. They can be terrible or wonderful.
Rightly done, they'll produce a brilliant sound and last you a long time. But the bad ones sound gross and can damage your records.
It's all about materials and construction. A turntable is a mechanical instrument that needs to measure record grooves in a delicate way.
What to *avoid* in a turntable
This product page will run through what makes the Primary E such an ace deck for the money. But what shouldn't be inside a turntable is just as important as what is. Here's a summary of the things to avoid, and we've got more detail here.
Inbuilt speakers. This is baaaaad. They're small and tinny, so you'll be strangling whatever signal does come out of the record. But also the vibrations being inside the chassis create a feedback loop which goes back into your records.
A tonearm that's too short or made out of the wrong materials - this will interfere with the accuracy of what's embedded in the record. Small platters are bad too - they'll eventually warp your records due to the edge overhang.
Stylus and cartridge that put the wrong pressure on your records or are made out of bad materials. These will distort your sound and potentially damage your vinyl.
Cheaper motors that don't spin precisely in time. You'll hear higher or lower pitch in your music.