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A moving magnet cartridge designed to work with most turntables. It features an improved engine, a Nude Elliptical diamond stylus and is manufactured from Hopelex, an environmentally friendly material which ensures high rigidity while eliminating unwanted resonances.
The 2M Series was developed in conjunction with the Danish designer Moeller Jensen Design. Inspired by the facets of a diamond, whose contours gracefully trace the grooves on a record’s surface, the 2M’s handsome elegance establishes a great combination of form and functionality.
The entire 2M Series features Ortofon’s trademark split pole pins, an invention which enables moving magnet cartridges to have a flat frequency response as with a moving coil cartridge. Split pole pins were invented by Ortofon, and were originally presented in the 500 and Ortofon OM Super Series.
2M Series styli are engineered for a tight fit to minimise coupled vibrations, thereby improving sound reproduction. Physically 2M styli will fit on alternative 2M cartridges bodies, but 2M Series cartridges’ engines, coils and magnets configurations are not quite identical: Red and Blue are identical, and so are the Bronze and Black.
Output voltage at 1000 Hz, 5cm/sec.: 5.5 mV
Channel balance at 1 kHz: 1.5 dB
Channel separation at 1 kHz: 25 dB
Channel separation at 15 kHz: 15 dB
Frequency range at - 3dB: 20-25.000 Hz
Frequency response: 20-20.000 Hz + 2 / - 1 dB
Tracking ability at 315Hz at recommended tracking force*: 80 µm
Compliance, dynamic, lateral: 20 µm/mN
Stylus type: Nude Elliptical
Stylus tip radius: r/R 8/18 µm
Tracking force range: 1.6-2.0 g (16-20 mN)
Tracking force, recommended: 1.8 g (18 mN)
Tracking angle: 20°
Internal impedance, DC resistance: 1.3 kOhm
Internal inductance: 700 mH
Recommended load resistance: 47 kOhm
Recommended load capacitance: 150-300 pF
Cartridge colour, body/stylus: Black/Blue
Cartridge weight: 7.2 g
In the box
2M Blue cartridge
2 x Screw M2,5 x 5
2 x Screw M2,5 x 7
More from Instant Classic
Why buy from Instant Classic?
Instant Classic is an online record and music system store from Melbourne, Australia.
We offer great upfront deals as well as Australia's first hifi subscription service. Our returns are no-fuss and we're all about treating our customers how we'd like to be treated.
We're available by email, phone, livechat, WhatsApp - whatever your flavour is. We're online during business hours of course, but we aim to get back to you pretty fast at any waking hour. Usually you'll hear back from us very quickly.
If you don't like your purchase for whatever reason within the first 50 days, we'll take it back! None of this 'product must be in brand new condition' nonsense - we want you to be happy. Just make sure it isn't damaged.
Is analogue better?
Vinyl is a cost-effective way to get into proper audio. Some experts argue it it gives a better experience than digital, with a lack of compression and a naturalness that’s hard to replicate.
Digital relies on a computerised interpretation of sound-waves. Turntables and records, however, maintain analogue integrity by translating these sound-waves into physical grooves and vibrations rather than 0s and 1s.
I liken turntables to coffee. They can be terrible or wonderful.
Rightly done, they'll produce a brilliant sound and last you a long time. But the bad ones sound gross and can damage your records.
It's all about materials and construction. A turntable is a mechanical instrument that needs to measure record grooves in a delicate way.
What to *avoid* in a turntable
This product page will run through what makes the Primary E such an ace deck for the money. But what shouldn't be inside a turntable is just as important as what is. Here's a summary of the things to avoid, and we've got more detail here.
Inbuilt speakers. This is baaaaad. They're small and tinny, so you'll be strangling whatever signal does come out of the record. But also the vibrations being inside the chassis create a feedback loop which goes back into your records.
A tonearm that's too short or made out of the wrong materials - this will interfere with the accuracy of what's embedded in the record. Small platters are bad too - they'll eventually warp your records due to the edge overhang.
Stylus and cartridge that put the wrong pressure on your records or are made out of bad materials. These will distort your sound and potentially damage your vinyl.
Cheaper motors that don't spin precisely in time. You'll hear higher or lower pitch in your music.