Pro-Ject Primary E Turntable Black No Lid

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Product details

There are plenty of one-size-fits-all phono stages, which are great for a simple setup. But if you want to get the most out of your cartridge, and really hear what’s going on in the grooves, then you need a phono stage that’s much more adaptable. That’s where the Phono Box S2 comes in.

More info

With switchable input options to suit Moving Magnet and Moving Coil cartridges, as well as switchable gain options, the Phono Box S2 is ready to reveal incredible detail, open up the dynamics and offer a clearer sense of space than you’ve heard before.

The Phono Box S2’s solid metal helps keep vibrations from getting into your music, which is a real challenge for a phono stage – because it boosts low signals, the vibrations can get boosted too, leading to distortion and ugly humming noises. It also makes the Phono Box S2 more durable, so you’ll have a long and happy life listening to your records. Plus, it looks good!

Space-efficient and inconspicuous, the Phono Box S2 can slot neatly into small spaces like behind your turntable, or on top of your amplifier, to do its job without getting in your way.


Input impedance: 10 Ohm/ 100 Ohm/1 kOhm / 47 kOhm

Input capacitance: 100 pF/ 200 pF/ 320 pF/ 420 pF

Gain switch: 40 dB/ 43 dB/ 60 dB/ 63 dB

Subsonic switch: -12 dB @ 20 Hz

Signal-to-noise ratio: 85 dB

THD+N: 0.01% MM/ 0.05% MC

RIAA accuracy: < 0,4 dB / 20 Hz - 20 kHz

In/Out sockets: 1 pair RCA connectors

Power consumption: 18 V / 85 mA

Outboard power supply: 18 Volt DC/ 500 mA

Dimensions ( W x H x D ): 103 x 36 x 115 mm

Weight: 570 g net

In the box

Phono Box S2 phono preamplifier

Power cable

Instruction manual

More from Instant Classic

Why buy from Instant Classic?

Instant Classic is an online record and music system store from Melbourne, Australia.

We offer great upfront deals as well as Australia's first hifi subscription service. Our returns are no-fuss and we're all about treating our customers how we'd like to be treated.

We're available by email, phone, livechat, WhatsApp - whatever your flavour is. We're online during business hours of course, but we aim to get back to you pretty fast at any waking hour. Usually you'll hear back from us very quickly.

If you don't like your purchase for whatever reason within the first 50 days, we'll take it back! None of this 'product must be in brand new condition' nonsense - we want you to be happy. Just make sure it isn't damaged.

Learn more, or if we haven't yet answered what's on your mind, contact us.

Is analogue better?

Vinyl is a cost-effective way to get into proper audio. Some experts argue it it gives a better experience than digital, with a lack of compression and a naturalness that’s hard to replicate.

Digital relies on a computerised interpretation of sound-waves. Turntables and records, however, maintain analogue integrity by translating these sound-waves into physical grooves and vibrations rather than 0s and 1s.

I liken turntables to coffee. They can be terrible or wonderful.

Rightly done, they'll produce a brilliant sound and last you a long time. But the bad ones sound gross and can damage your records.

It's all about materials and construction. A turntable is a mechanical instrument that needs to measure record grooves in a delicate way.

What to *avoid* in a turntable

This product page will run through what makes the Primary E such an ace deck for the money. But what shouldn't be inside a turntable is just as important as what is. Here's a summary of the things to avoid, and we've got more detail here.

Inbuilt speakers. This is baaaaad. They're small and tinny, so you'll be strangling whatever signal does come out of the record. But also the vibrations being inside the chassis create a feedback loop which goes back into your records.

A tonearm that's too short or made out of the wrong materials - this will interfere with the accuracy of what's embedded in the record. Small platters are bad too - they'll eventually warp your records due to the edge overhang.

Stylus and cartridge that put the wrong pressure on your records or are made out of bad materials. These will distort your sound and potentially damage your vinyl.

Cheaper motors that don't spin precisely in time. You'll hear higher or lower pitch in your music.

How to look after ya records

Building a good sound system